Informed by an exploration of the interactive nature of sensation and the physical body, I incorporate slumped glass and ceramic objects, allowing the elemental nature of clay and glass to transcend traditional formal divisions. The interplay of these objects considers ideas of passage and protrusion, exploring a visceral empathy relating to eroticized parts of the body. This interdisciplinary dialogue employs a sensitive strategy of the visual and tactile. Even without touch, the visual experience of the work expresses tactility —a synesthetic experience.

